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- <text id=89TT2575>
- <title>
- Oct. 02, 1989: A Stitch In Time
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- Oct. 02, 1989 A Day In The Life Of China
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CINEMA, Page 90
- A Stitch in Time
- </hdr><body>
- <qt> <l>IN COUNTRY</l>
- <l>Directed by Norman Jewison</l>
- <l>Screenplay by Frank Pierson and Cynthia Cidre</l>
- </qt>
- <p> Viet Nam represents a great jagged gash in the fabric of
- American history, an ugly tear in a tapestry that people once
- believed had been woven out of high ideals and simple decency.
- A few years ago, when it became obvious that it was time to
- repair that rent, our popular culture took on something of the
- air of a vast quilting bee, with writers, filmmakers and TV
- producers bending over their restorative needlework.
- </p>
- <p> Samantha Hughes (Emily Lloyd) of In Country, an adaptation
- of the novel by Bobbie Ann Mason, is a direct, even artless,
- projection of this healing spirit. There is nothing metaphoric
- about the empty space left in her life by the war; her father
- was killed in Viet Nam before she could know him. Her mother
- having remarried and moved away, Samantha has chosen to stay
- behind and share the tumbledown family home in Hopewell, Ky.,
- with her uncle Emmett (Bruce Willis), a veteran damaged by the
- war in some way he refuses to name. Now in the summer after her
- high school graduation, she comes upon the letters her dad wrote
- from Nam, and eventually his diary. Using this material to chart
- her way, she sets out, innocent but determined, to reimagine her
- father and the long-ago war that took him from her.
- </p>
- <p> Samantha's straight-ahead spirit as evoked by Lloyd is
- irresistibly winning. Eventually it becomes the wedge that
- pries Emmett out of his shell and forces the girl's grandmother
- Mamaw (Peggy Rea) to face the feelings that she too has denied
- since her son's death. These are superb performances as well:
- Willis has never employed his alert reserve to better effect;
- Rea perfectly catches both the refrigerator-tidying comedy and
- the unspoken yearnings of an American Everymom.
- </p>
- <p> In its early passages, In Country's script perhaps pursues
- too many banal and inconsequential matters as it portrays teen
- life in a small town. Samantha has a boyfriend who does not
- match her in wit and spirit. She has a girlfriend contending
- with an unwelcome pregnancy. But the film starts to gather force
- and direction when a dance, organized to honor the local Viet
- vets, works out awkwardly. And when -- at Samantha's insistence
- -- Emmett and Mamaw join her on a pilgrimage to the Viet Nam
- Veterans Memorial in Washington, the movie achieves real power.
- Director Norman Jewison understates his final sequence with
- admirable tact. No melodramatic shocks of recognition, no
- epiphanies -- merely simple people silently touching the names
- of loved ones inscribed on the memorial, tentatively,
- thoughtfully restoring connections. It is just fine, just right,
- just enough for now. In Country is, finally, a lovely, necessary
- little stitch in our torn time.
- </p>
-
- </body></article>
- </text>
-
-